Over the years I have added information on Antique Oriental Rugs to my notes. Hope you enjoy it, Barry O’Connell JBOC@SpongoBongo.com
Friday, May 9, 2008
Karapinar Rugs the O'Connell Notes
Sunday, May 4, 2008
Parviz Tanavoli Breaks Record at Christie's Dubai Art Auction
By Matthew Brown
May 1 (Bloomberg) -- Iranian Parviz Tanavoli's ``The Wall (Oh Persepolis)'' fetched $2.84 million at a Dubai art sale, an auction record for a Middle Eastern artist.
``The Wall,'' a nearly 2-meter tall bronze sculpture covered in hieroglyphics, was the highlight of Christie's International's auction of modern and contemporary art yesterday, its fourth in the city. London-based Christie's said it sold more than $20 million of art, mainly by Arab and Iranian artists. Six works by Iranian artists were among the seven priciest lots sold.
Friday, May 2, 2008
Antique Armenian Folk Textiles from Anatolia
May 2 - June 15, 2008 Gallery51 51 N. 2nd Street Philadelphia, PA 19106
Open Tues - Sat, 11 - 6; Sun 12 - 6
It is only in the last few years that I ever heard of Craig Wallen and now I hear about him all the time. Craig is suddenly emerging one of the first flight collectable rug and textile dealers nationally. See www.gallery51.net
(Left) Marash Embroidery (sofreh), Armenian, E. Anatolia, 19th C
Wednesday, April 30, 2008
May at the Textile Museum
Rug & Textile Appreciation Morning: "Nomadic and Workshop Weavings from Fars Province in Iran" by Tom Cook Saturday, May 3rd 10:30 am. The audience is invited to bring clean, well-vacuumed examples related to the title of the program. Seating is limited, so please arrive early. FREE; no reservations required. Cook is a member of the Board of Trustees of the Textile Museum and is widely respected for his RTAM presentations.
Also May 31 "Have You Got the Blues? Blue Dyes in Textiles" Jeffrey Krauss and R. John Howe. (Jeff is well known for his collection of Japanese textiles especially Kasuri and R. John for his eclectic taste in Oriental rugs spanning from Turkey to Central Asia.)
Ursula McCracken memorial - 2:00 to 4:00pm, May 10th at the Textile Museum
Related topics: Oriental Rug Cleaning Austin
Tuesday, April 29, 2008
Turkotek and Ethnicity
A Non-verbal Linguistic Approach to Ethnicity
What a great question. I use a different system then most people but being alone does not bother me and my system works. Language defines ethnicity. So if we want to know what group wove a type of rugs we go to the milk language of the weaver. Without getting overly complicated Kurdish weavers weave Kurdish rugs. (apologies to Michael Wendorf) and Tekke weavers wove Tekke rugs. When we want to define Turkish rugs we look to the people to narrow down the possible weaving groups. That is why I put together People of (Asian) Turkey by Language. we have 22 ethnic groups in 6 major language groups and two ethnic groups ethnically cleansed in the Massacres and deportations.
3 Afro-Asiatic languages making up less than 1% of the population.
9 Altaic languages making up 88% of the population. 88%.
2 Indo-European languages making up less than 1% of the population.
3 North Caucasian languages making up less than 1% of the population.
2 Kartvelian languages making up less than 1% of the population.
3 Kurdish languages making up 10% of the population.
Formerly about 10% of the population of Asian Turkey was Armenian and about 4% were Greek.
All appreciable quantities of Turkish rugs from Asian Turkey have to be attributed to one of these groups. There were no other significant groups.
I have proposed that Turkish be recodified as a derivative language of Turkmen. Specifically that Turkish descends from what I proposed to be called Ohguz Seljuk and that it be grouped with similar languages such as Turkmen and Northern and Southern Azeri. By the way I have also proposed that Northern and Southern Azerbaijani be renamed Northern and Southern Azeri. Supposedly this is going to be published this year but I am not holding my breath Still I hope to see it out soon. I am basing my conclusions on what I call Non-verbal linguistics. Only now are we seeing that language is more than sounds with meaning. I propose that structure and pattern contain a non-verbal element of language. For instance for us to know that a Kurdish rug is Kurdish by looking at the structure and pattern then the weaver has woven in a way that indicates the language of the weaver. Therefor the weaving is a form of non-verbal language. More later, it is a work night.
Comments on Steve Price on Turkotek
I had a chance to drive Harold up to Johns Hopkins in Baltimore Sunday morning and we discussed the fragment that he bought from Asadorian's. Harold insisted that his piece and Schurmann's were from the same carpet. I asked Harold about the two other fragments from the same carpet. Since there was no attractive way to attach the two to the fragment in the show Harold ended up attaching the two together and he gave the joined piece to McCoy Jones. I wonder if they are published?
I also see that Jim Allen noticed that I was talking about him and added the Azerbaijan carpet, South Caucasus/Northwest Persia Circa 1800 Sotheby's lot 22 into his thread on his yellow ground carpet. Jim has a different way of thinking and processing data than most people. Rather than a linear process Jim's process of discovery tends to take an iterative approach. Early in the process he will float an idea and then he writes it up, then later he revises it. His work gets stronger and stronger as the idea matures. It is good to see Jim on Turkotek since it gives him a forum to work out his ideas.
Thursday, April 24, 2008
"Worm Dangling from the mouth of a bird"
"Worm Dangling from the mouth of a bird"
The New York Hajji Baba are having a 75th anniversary exhibition called "Timbuktu To Tibet," at the New York Historical Society. The gang at Turkotek is having a salon on the show and Dr. James Blanchard the rug collector from Bangalore India posted praise of a piece catalogued as "Turkmen Fragment, Central Asia, 18th or 19th Century (Harold Keshishian)". It quickly generated 8 replies and when I mentioned it to Harold he told me the rest of the story. In the late 70s Harold was visiting one of the younger Asadourian brothers (Hagop or Krikor’s son) shop at 276 5th Ave in New York City. In a 4 foot high pile of fragments Harold found this and two other fragments of a very old very worn Turkmen Main Carpet. Try as he might Harold could not find the other half of his elim. So when he left who should Harold run in to but the great German Rug Scholar and friend Dr. Ulrich Schurmann. Harold", Schurmann said, "What is that in your hand". After seeing Harold's find Schurmann returned to the shop and did not leave until he located the other half of the elim which is published in Werner Loges, Turkmen Tribal Rugs, plate 48, 1980.
At a later date Schurmann was visiting with Harold at his Washington DC place when they had a chance to look at this piece again. Starting early in the morning with a stack of rugs and a fifth of vodka Schurmann began his studies. A few hours into the process Dr. Ulrich Schurmann declared with all possible Teutonic authoritative certainty that these designs were of "worm dangling from the mouth of a bird". Harold has admitted to me that he has never been able to make out either the birds or the worms and he has no intention of imbibing enough vodka to make it possible.
This piece is one piece and the borders as they were in the carpet. It is about half of an elim of a Drynak Gul carpet that was about 8 foot across.