Tuesday, July 8, 2008

Documentary on Turkmen Ritual

Documentary on Turkmen Ritual
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Anthropology Research Center has produced a documentary on the ’Aq Qoyoun’ ritual held by the Turkmen people when they reach the age of 63, said a member of the center.
Shahpour Qajaqinejad added that in anthropology literature, this ritual is classified as transient; that is transiting from one phase of life to another.
He noted that Turkmen men and women hold the divine ritual when they attain the age of 63 to stay away from sins and follow the behavioral and personality traits of Prophet Muhammad (PBUH). “Of course, some people hold a mini ritual at the age of 60 or 61, but then they celebrate more extensively when they reach the age of 63,“ he added.
The researcher recalled that signs and indications in the ritual are usually white, ISNA reported. “In many cultures, white is the color of purity. For example, a 63-year-old woman wears a white scarf and a 63-year-old man wears a white turban in this ritual praying to be distanced from sins and to adhere to the pious way of life of the holy prophet,“ he pointed out.
The expert further said that the host of the ritual makes himself or herself ready a few days before the ceremony day. “Other people give gifts such as blankets, clothing or food to the host and in return they also receive gifts. If a person cannot hold the ritual for any reason, he or she cooks the special food for the occasion, which is called ’Shir-berenj’ (made of milk, rice, sugar and rosewater), and takes it to the mosque before nocturnal prayers so that worshippers eat the food and pray for him or her,“ said Qajaqinejad.
He underlined that while the ritual has been not abandoned in the present era, it has been enfeebled. “The ritual is held among Turkmen people only, who live in the provinces of Golestan, North Khorasan and Khorasan Razavi.

Wednesday, July 2, 2008

17th Persian Kerman carpet to welcome Albert Hall visitors

Persian carpet to welcome Albert Hall visitors
Rashpal Bhardwaj
Wednesday, July 02, 2008 03:30 IST

Government to display 376-year-old carpet brought by Mirza Raja Jai Singh I from Persia for the public

The next time you visit the stately Albert Hall, which housed one of the oldest museums of the state, do not forget to have a look at the 376-year-old magnificent Persian garden carpet in the Durbar Hall.

The carpet would be the centre of attraction, which was kept locked for visitors for the past many years. Chief minister Vasundhra Raje would re-open the museum on July 1, which was closed for renovation in April 2007.

The carpet, one of India’s finest art treasures, was deteriorating due to biotic pressure. But, now the Department of Archaeology and Museums would cover the carpet, made at Kerman in Persia in 1632, with a polycarbonate compact sheet.

“The sheet cover will not only make it possible for the tourists to have a close look at the carpet but also secure the carpet’s sheen at the same time” director of the department, BL Gupta said.

The carpet portrays the garden of paradise with running water streams on a quadrangular design. Mirza Raja Jai Singh-I had bought the carpet at a dear price from Shah Abbas of Persia in between 1647 to 1650. After it was brought in the meseum,the carpet has been displayed only twice or thrice, said the officials. Besides, the Albert Hall meseum has a collection of 16 other ancient era carpets.

Of the total Rs6 crore renovation budget, a handsome amount was spent on installing international level lighting system which would give unprecedented ambience to the artifacts, said Gupta. “This lighting system gives a particular grace to the artifacts which they earlier lacked,” he said. The museum carries few new features: CCTV cameras, fire detector glass break sensor, iron railing surrounding the museum, and private security guards.

In the new sequence in the museum, the ground floor will display an Egyptian mummy that belongs to the Ptolemaic era, ancient toys and dolls, and paintings. On the first floor, the display items include arms and weapons of different rulers, textiles, carpets, metal and wood crafts, pottery, and items related to flora and fauna.

Plaques carrying details of every artifact have been placed making it easy for the tourists to know the history of the items. Colonel Sir Swinton Jacob had designed the museum in 1876 to greet King Edward VII as Prince of Wales on his visit to India. It was opened for public ten years later.

Monday, June 30, 2008

Managing Director of Iran’s Carpet Cooperation Jalaladin Bassam:Annual carpet weaving in Iran tops 5m sq.m

Managing Director of Iran’s Carpet Cooperation Jalaladin Bassam:Annual carpet weaving in Iran tops 5m sq.m
Annual carpet weaving in Iran tops 5m sq.m
BOJNOURD, May 24 (MNA) – Annually over 5.3 million square meters of hand made carpets are weaved in Iran, Managing Director of Iran’s Carpet Cooperation Jalaladin Bassam said here on Saturday.

“Over 3.1 million square meters of these hand made carpets are exported and 2.2 million square meters are sold within the country,” he added among reporters at the sideline of the First Hand Made Carpet Fair held in Northern Khorasan, IRNA reported.

Bassam also stated that currently there were 1.1 million carpet weavers in the country.

Elsewhere he referred to a rise in domestic purchase of carpets.

“The amount of hand made carpets purchased within the country has doubled compared to the previous year (March 2007 to March 2008),” this official explained.

GOB King Aram Dermentjian will retire this year... Maybe!

Aram retiring after 50 years

Posted By CATHY DOBSON

You heard it here first! Aram Dermentjian will retire this year!

Forget about all the other times he considered retirement and held a big sale. Forget about the storefront sign that's been posted for many months at his downtown carpet store thanking Sarnians for their patronage.

This is really it!

Over the last 50 years, Dermentjian has proven his staying power through good times and bad in the oriental rug and broadloom business.

Many might say he's been advertising a perennial retirement sale without really meaning to retire. But he flatly denies it.

What he will admit, however, is that he's now 82 and has been trying to take a back seat to the business since 1990. That's the year his son, Diran, took over. At that point, the advertisements started announcing big sales in honour of Dermentjian's retirement.

In fact, for the next 12 years, he says he was semi-retired. But a few years ago, Diran left for Vancouver to pursue another venture and his father took back full possession of the business.

"That's why there have been so many retirement sales," Dermentjian insisted during an interview a few days ago. "I was always thinking about retirement. Yet I never did it."

Then he looked me straight in the eye and said, "Cathy, you are the first I'm going to tell. I have decided. I will retire this year. Before I was just thinking about it. Now I've decided."

Barring any unforeseen changes, his retirement will coincide with the 50th anniversary of Aram's Oriental Rug Gallery, an institution in Sarnia's downtown since 1958.

Dermentjian arrived in Canada from Greece in 1953. As a new immigrant, he was sponsored by a rug dealer in London and started working for him.

In Greece, Dermentjian -- who is of Armenian origin -- had worked at his father's silk factory and was a trained textiles engineer.

While working in London, one of his customers was Marshall Gowland, the mayor of Sarnia at the time.

"He invited me to Sarnia. He told me it was Canada's booming city with Imperial Oil and Dow," Dermentjian said. "I wanted to open my own store without competing with my sponsor in London so I moved here."

Besides, he said the blue water of the St. Clair and Lake Huron reminded him of Greece.

"I had no money but I had terrific faith," he said of his early days in business.

Initially, he took ownership of Hakimian Rugs on Davis Street.

Sales were always good in the 1950s, he said. "I knew the broadloom and oriental rug business and I'm a good salesman."

Sarnia's downtown was flourishing. Those were the days when all the stores remained open Friday nights and the sidewalks were crowded with shoppers.

Soon, he moved to the corner of Front and Lochiel streets on the riverside and renamed the business Aram's. Ten years later, he relocated to Christina street.

Over the years, the business switched addresses a number of times before moving into the current location at 174, 176 and 178 Christina in 1995.

By that time, the commercial area was rapidly growing in the east end of the city and downtown was struggling, said Dermentjian.

He's always been a strong proponent of getting the bus transfer stations off Christina and building a terminal.

Now, as he plans to retire, the city

is undertaking a major reconstruction of Christina, something Dermentjian welcomes and believes will be good for the downtown.

"I've never regretted a day in this business," he said. "But it's time to retire." He intends to continue his oriental rug appraisal business and former customers will still be able to get their rugs professionally cleaned.

But sales will soon be over and all those proclamations that Aram is retiring will finally come true.

He plans to do some traveling with his wife and enjoy time with his family.

Some may be skeptical when they notice the retirement sales this summer.

But this time, he says he's not just thinking about it. He's decided.

Friday, June 27, 2008

Dowlatabad Garden in Yazd

Dowlatabad Garden a Must See Site
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The Dowlatabad garden has an aggregate of buildings which were designed and constructed during the time of Mohammad Taqi Khan in the Zandieh era in the city of Yazd
According to Irantravel website, it was the residence of Khan and his government and officials. The wind trapper of this garden is 33 meters high and is considered an architectural masterpiece and a symbol of the Yazdi architects’ genius, mental ability, talent and art.
The most significant characteristic of the design of the buildings is believed to be the attempt of the architect in selecting tactful angles for providing the best views and landscape.
Dowlatabad garden is regarded as one of the sites worth visiting due to verdant gardening skill in landscape architecture, irrigation method, and richness of architectural design. It is for this reason that the same has been recorded as a historic building.

Thursday, June 26, 2008

Migration Season Begins

Migration Season Begins
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In summer nomads from across
the country make
their annual migratory trip to cooler pastures.
(Photo by
Reza Moattarian)

Ilam Glory of the Past

Ilam Glory of the Past
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Ilam Province is an area with a large number of archeological sites dating back to Bronze and Iron eras. Of course, most of the sites are cemeteries.
The city of Ilam, the provincial capital, is located 710 kilometers from Tehran and surrounded by forest-covered mountains, Press TV reported. It is important to unravel the mysteries of the past and Ilam can be a good evidence for providing a link between the Iranian plateau and Mesopotamia.
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Historical evidence shows Ilam, once called Alamto or Alam meaning ’mountains’ or ’the country of sunrise’ in Elamite and Babylonian inscriptions, was an important center in the Elamite civilization.
Cemeteries and burial sites are excellent resources in terms of elucidating the mysteries surrounding the religious and cultural practices of the ancient times. They provide invaluable ethnographical and chronological data about social and economic relations.
While no major research has been undertaken on the prehistoric funerary rites and rituals of the inhabitants of the Iranian plateau, a Belgian study revealed that most of Ilam’s gravesites belonged to nomadic tribes, which settled in the region around the first millennium BC.
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Three famous cemeteries
Chenar Graveyard, a site dating back to the first millennium BC and located in the Chenarbash region, contains graves in which the dead were buried in small or large earthenware jars along with their possessions.
Kian-e-Gonbad Graveyard, which archaeological studies suggest dates back to 2500-2600 BC, is located 30 kilometers to the southeast of Ilam.
Pelkeh Kan Graveyard, where numerous artifacts belonging to Stone Age hunters have been discovered, is located in the historical Halilan area. The location of a grave, along with its contents and internal decoration present clear evidence of the concerns and beliefs of the dead and whether the worlds of the living and the dead were regarded as separate and hostile to each other or as part of a continuum.
Historical and anthropological investigations reveal that burial rituals reflect a society’s view of not only the nature of death but also the totality of human existence in relation to the cosmos.
Equipment found in the ancient graves suggests that humans may have always been unable to accept physical death as the end of life and that they believed in an afterlife similar to the one they knew on earth.
Archeologists believe that during a certain period people were buried on the basis of the position of the sun in the sky at the time of their death; if a person died at sunrise or sunset, they were buried facing the east or west, as found in the Iron Age cemetery near Sarab Karzan village in the Shirvan region.
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The Sarab Karzan graves are covered with huge gravestones, each weighing one to five tons, which had been placed atop each other in a conical shape without any mortar.
The pile of stones above the graves may have served as a means to keep the dead within, to warn the living that the site belonged to the dead and perhaps as a simple form of remembrance of those buried in their eternal resting place.
The graves in the Poshtkoh region are mostly quadrangular with stone covers and though the bones have not survived due to the acidity of the earth, the sites contain spearheads, earthen vessels, teapots, jewelry and many other revealing artifacts.
Smaller quadrangular graves refer to the fact that children were buried alongside adults.
Up to the third millennium BC (the early to Middle Bronze Age), the dead were usually buried under the familial abode. Fetal burials, the covering of bodies with red ocher (a substitute for blood as the symbol of life) and gifts placed in the grave are characteristics of the funerary rites of this era.
Wealth and social status played an important part in the objects placed in graves; the poor were buried with simple earthen vessels while jewelry was found in the graves of the rich.
The Iron Age is important because it explains the origins of what came to be known as the unique Persian culture.
A survey of gravesite relics from this era shows that the social, cultural, economical and racial structures gradually evolved, leading to the emergence of Monotheism.
Until the end of the Bronze Age, burial rites remained unchanged and the dead who were the subject of affection or reverence continued to be buried within the house or family compounds. However, with the development of urbanism, the old custom was abandoned and cemeteries gained popularity.
As the dead were now viewed as sources of fear and death was thought to contaminate the living, the burial sites, which were seen as belonging to the dead, were built in areas remote from the place of living.
Many cultures had the desire to draw a pronounced line between the world of the living and the dead and tried to hasten their departure by showing kindness to the dead so they would not harm the living.
The modern cemetery could be seen as the continuity of the necropolis (city of the dead) belief.
Burial in the earth is in a way the recognition of the cycle of life and death in which man as part of nature takes part. Humans created from clay would return to the place that had once brought them forth.