Showing posts with label Oriental carpets. Show all posts
Showing posts with label Oriental carpets. Show all posts

Friday, April 11, 2008

On the dating of Oriental Rugs:

Circa 1656 Tekke Juval
On the dating of Rugs:

“They can't all have been made in 1875, some must be older.” This bon mot from Harold Keshishian is as true today as the day he said it. For a number of reasons if a rug looks old dealers or auction houses have traditionally dated it to circa 1875. This is mainly because if a rug later is shown to have a chemical dye it is within the range where a chemical dye could have been used. So it is a safe attribution and a huge number of rugs got assigned an attribution of circa 1875. But in that group some are newer and conversely some must be older. We have reached a point where there are a growing number of rugs that considerably predate 1875.

Pioneering work by
Jim Allen working with the Metropolitan Museum of Art as well as that of Dr. Jurg Rageth, c14 (radio carbon dating) became a tool in carpet studies. A growing number of rugs have been dated significantly earlier than 1800 and each discovery makes it possible to date other rugs in the time frame that at one point was thought impossible.

Once Jim Allen's
17th century Tekke Juval was dated Circa 1656 it made it possible for others to suggest a rug was of a certain date in relationship to other rugs. It has become what I call a marker rug. Since as far as I know it is the oldest Tekke weaving to date it allows people to use it as a marker in dating their Tekke weaving. More to come...

Sunday, May 6, 2007

Iran Carpet Co. World’s Largest Carpet Complete

NEISHABOUR, Khorasan Razavi, Feb. 23--Iranian carpet weavers have completed the world’s largest carpet in the city of Neishabour, northeast Iran.
The carpet will be brought down in separate pieces from the looms Friday in a special ceremony attended by local officials.
The carpet measures 6,000 square meters, contains over 2 billion knots and has been woven by using 35,000 kg of wool and 12,000 kg of cotton. It took a year to finish, CHN reported.
The design of the carpet is called ’Toranj Afshan’--a composition of flowers, leaves, branches and plants scattered in different directions.
The project was launched upon an order by the United Arab Emirates and Iran’s Carpet Company in Neishabour. It was woven on nine separate looms and will be attached together in the Sheikh Zayed Mosque in Abu Dhabi, the United Arab Emirates.
It took 1,200 weavers to complete the carpet whose value is estimated to be $8.2 million.
Iranian weavers had earlier completed two other large-size carpet projects. They included a carpet measuring 5,000 square meters and another measuring 400 square meters which were woven in Isfahan and Khorasan provinces, respectively.
The Persian carpet is one of the most distinguishable manifestations of Persian art and culture, renowned for their richness of color, variety of patterns and quality of design.
Kashan, Isfahan, Tabriz, Mashhad, Kerman, Qom, Nain, Sanandaj, Arak and Hamedan are considered as the cradles of Iran’s traditional carpet industry.

Friday, April 20, 2007

Oriental Rug Auction Sunday Apr 22 2007

Hello,

Oriental Rug Auction Sunday - Oriental Rugs & Carpets Sale Date: Apr 22 2007 15:00

Samuel T. Freeman & Co.
1808 Chestnut Street, Philadelphia, Pennsylvania 19103
Tel: 215.563.9275
David Weiss VP - Paintings, Prints & Rugs Ext. 3014
Worth a look: the silk rugs, a tent band, and some nice Serapis.
Best wishes,
Barry O'Connell
Cell - 240-988-4866

Wednesday, March 28, 2007

Some of My Most Viewed Pages

Hello,
I find it humorous at times that some of my most viewed pages are not about Oriental Rugs at all. My site www.PersianCarpetGuide.com does very well on Google Images and two of the most popular are my Guide to Mamluk Art especially the picture of the The Tipu Sultan Sword with fifteenth-century Mamluk or Ottoman Damascus watered steel blade. and also my Mashad Rugs: Guide to Mashhad Carpets. Both pages have rugs but going through the Analytics it is the sword in one and the Mosque in the other that bring the viewers. I do not mind a bit. It gives me a chance to teach new people about rugs. Of course that is Google Images which is very different from regular Google
Best wishes,
Barry

Sunday, March 25, 2007

Why do some old Oriental Rugs gets more vibrant and glowing?

On my discussion list http://groups.yahoo.com/group/OrientalRug/ Patricia Eddy asked a great question:

--- In OrientalRug@ yahoogroups. com, "patricia.eddy"
wrote:>
> It seems that the color in some old rugs gets more vibrant and
> glowing with age rather than mellow. Why is that? Does any one
know?


To: OrientalRug@yahoogroups.com
From: "yesterday20785" View Contact Details Add Mobile Alert
Date: Mon, 26 Mar 2007 00:50:24 -0000
Subject: [OrientalRug] Re: Antique Rugs and More
Hello,
Many things factor in but here are some major factors;

Wool is like hair in that it has scales. For those of you who watch
American TV there are many ads that show dry damaged hair with the
scales opening up. Wool does that too and when it does it is at its
most beautiful but also its weakest. When a rug is new the scales are
tight and the lanolin acts like the cream rinse that women use on
their hair. Over the years the lanolin is striped away. when the
lanolin is gone naturally dyed shows those rich jewel tones that
collectors love.

Now and then I see artificially aged rug that look like antiques. The
problem is that grinding, bleaching, hammering blow torching, etc...
take a new rug and wear it out well before its time. If you want to
buy a look and do not mind the reduction in the carpets life then why
not.

With a the rug from Richard I am willing to let my children grow old
and see it reach its high point. I am glad to have a new rug of the
old quality.
Best wishes,
Barry O'Connell

Wednesday, March 21, 2007

İstanbul to host international conference on oriental carpets

İstanbul to host international conference on oriental carpets
İstanbul will host the International Conference on Oriental Carpets (ICOC) April 19-22, with the Swissôtel serving as conference headquarters.



Under the supervision of Mehmet Çetinkaya, chair of the local organizing committee, preparations have long been under way for this important cultural event. The conference will have academic sessions, including presentations on Turkish, Egyptian, Persian, Indian and Caucasian carpets. In addition, there will be programs on historical and archeological aspects of carpets, as well as design, costumes and scientific analysis. The presenters will be from 22 different countries and talks will be given in English, Turkish or German with simultaneous translation offered.

Special exhibitions are being prepared for display in historic locations throughout the city, extending from Sultanahmet to Büyükdere. These exhibitions are scheduled to coincide with the conference, with private opening receptions for attendees.

The Museum of Turkish and Islamic Art (TIEM) will host two of the exhibitions. Situated across from the remains of the Hippodrome in Sultanahmet, the museum is housed in the 16th century İbrahim Paşa Palace, once the home to the grand vizier of Suleiman the Magnificent. This is a chance to view a collection of extremely rare carpets, many of which have never been exhibited to the public before. TIEM will also host a show of 99 rare ikat coats from the private collection of Mehmet Çetinkaya. The majority of coats are from the 19th century, with some pieces dating from the 18th century.

In the Has Ahırlar of Topkapı Palace there will be an exhibition of 92 textiles from the palace collection. This particular show has been funded by the Koç Foundation and includes silk prayer textiles from Chios Island, Turkish prayer rugs, and Ottoman panels. After the ICOC conference, this collection will remain open for the general public. Çetinkaya personally selected each piece for the display and said, "I found lost treasures in the Topkapı collection."

The Vakıflar Carpet Museum in Sultanahmet is undergoing major renovations that are scheduled for completion in time for the conference. Currently housed in the sultan's loge of the Blue Mosque, the collection of carpets will be moved to a new home near the Aya Sofya Museum, in the Caferağa Medressesi. This building, designed by master architect Sinan, with its domes and high ceilings, makes it a perfect location for exhibitions. The exterior of the building is currently being restored, but inside will be state-of-the-art display areas for the new carpet museum.

Also in Sultanahmet the Darphane will hold a special exhibition of the private collection of the late Josephine Powell. Only about half of the items that will be on display have been exhibited before. The show will include rare kilims, camel bags, grain sacks and black nomadic tents. Powell's photographs, documenting vanishing Anatolian village life will accompany the textile exhibit.

The 15th century Tophane will host a show of items from several private collections of Anatolian textiles. Among the 176 pieces on display will be Anatolian carpets, kilims and cushions, as well as examples of Ottoman embroidery, çatma (patchwork) and suzanis.

The Sadberk Hanım Museum will host an exhibition that includes a rare collection of very fine çatma.

In addition to all of the exhibitions taking place during the ICOC, there will be a dealers fair held at the Swissôtel. Open every day of the conference, Çetinkaya stressed that participation in the dealers fair was very controlled. "These are not just any pieces from any shop. They are the best and highest quality. They had to be just the right pieces to be included," he explained.

For Çetinkaya, one of the biggest challenges he has faced in the preparations for the conference has been trying to coordinate activities at several venues spread out across the city. "In the West it is easier because they already have the infrastructure to have several exhibition spaces in different locations," he said. The organizing committee has been procuring funding, selecting pieces to be shown, overseeing the cleaning and restoration of items, many which have never been cleaned before, as well as overseeing building restoration. But when the conference begins in April their work will not have been in vain as they have the chance to show the world the best of Anatolian textiles and hospitality. Çetinkaya summed it up appropriately, "I am in the process of creating a huge feast."

For more information on ICOC and the upcoming conference visit www.icoc-istanbul.org