Hello,
I find it humorous at times that some of my most viewed pages are not about Oriental Rugs at all. My site www.PersianCarpetGuide.com does very well on Google Images and two of the most popular are my Guide to Mamluk Art especially the picture of the The Tipu Sultan Sword with fifteenth-century Mamluk or Ottoman Damascus watered steel blade. and also my Mashad Rugs: Guide to Mashhad Carpets. Both pages have rugs but going through the Analytics it is the sword in one and the Mosque in the other that bring the viewers. I do not mind a bit. It gives me a chance to teach new people about rugs. Of course that is Google Images which is very different from regular Google
Best wishes,
Barry
Wednesday, March 28, 2007
Sunday, March 25, 2007
Why do some old Oriental Rugs gets more vibrant and glowing?
On my discussion list http://groups.yahoo.com/group/OrientalRug/ Patricia Eddy asked a great question:
--- In OrientalRug@ yahoogroups. com, "patricia.eddy"
wrote:>
> It seems that the color in some old rugs gets more vibrant and
> glowing with age rather than mellow. Why is that? Does any one
know?
To: OrientalRug@yahoogroups.com
From: "yesterday20785" View Contact Details Add Mobile Alert
Date: Mon, 26 Mar 2007 00:50:24 -0000
Subject: [OrientalRug] Re: Antique Rugs and More
Hello,
Many things factor in but here are some major factors;
Wool is like hair in that it has scales. For those of you who watch
American TV there are many ads that show dry damaged hair with the
scales opening up. Wool does that too and when it does it is at its
most beautiful but also its weakest. When a rug is new the scales are
tight and the lanolin acts like the cream rinse that women use on
their hair. Over the years the lanolin is striped away. when the
lanolin is gone naturally dyed shows those rich jewel tones that
collectors love.
Now and then I see artificially aged rug that look like antiques. The
problem is that grinding, bleaching, hammering blow torching, etc...
take a new rug and wear it out well before its time. If you want to
buy a look and do not mind the reduction in the carpets life then why
not.
With a the rug from Richard I am willing to let my children grow old
and see it reach its high point. I am glad to have a new rug of the
old quality.
Best wishes,
Barry O'Connell
--- In OrientalRug@ yahoogroups. com, "patricia.eddy"
> It seems that the color in some old rugs gets more vibrant and
> glowing with age rather than mellow. Why is that? Does any one
know?
To: OrientalRug@yahoogroups.com
From: "yesterday20785"
Date: Mon, 26 Mar 2007 00:50:24 -0000
Subject: [OrientalRug] Re: Antique Rugs and More
Hello,
Many things factor in but here are some major factors;
Wool is like hair in that it has scales. For those of you who watch
American TV there are many ads that show dry damaged hair with the
scales opening up. Wool does that too and when it does it is at its
most beautiful but also its weakest. When a rug is new the scales are
tight and the lanolin acts like the cream rinse that women use on
their hair. Over the years the lanolin is striped away. when the
lanolin is gone naturally dyed shows those rich jewel tones that
collectors love.
Now and then I see artificially aged rug that look like antiques. The
problem is that grinding, bleaching, hammering blow torching, etc...
take a new rug and wear it out well before its time. If you want to
buy a look and do not mind the reduction in the carpets life then why
not.
With a the rug from Richard I am willing to let my children grow old
and see it reach its high point. I am glad to have a new rug of the
old quality.
Best wishes,
Barry O'Connell
Friday, March 23, 2007
Magnificent Qing dynasty carpets made for the Forbidden City in Beijing
In the Fuller Building, 41 East 57th Street, the Danon Gallery of Rome and Doris Leslie Blau of New York have a show of what are thought to be magnificent Qing dynasty carpets made for the Forbidden City in Beijing. “We were in the fair for the first time last year and did so well we decided to expand to New York,” said Enzo Danon, who owns the third-generation business with his brother Roberto.
Mounted on the walls, silk carpets laced with gold and silver threads are covered with imperial dragons chasing pearls (representing the emperors’ search for truth and wisdom), lotus flowers (purity, virtue) and pomegranates (fertility). The catalog recounts famous tales of Chinese court life that reveal the meanings of the motifs.
“The symbolism works on different levels,” Mr. Danon said. “Many carpets were made by monks and show a strong Buddhist influence.”
Others have Chinese markings at the top. “There were more than a thousand pavilions in the Forbidden City,” Mr. Danon explained. “The inscriptions say where the carpets go.”
Woven in burnt orange, lavender, indigo blue and yellow silks, the carpets vibrate with color. All but three are available, from $35,000 to $160,000.
Mounted on the walls, silk carpets laced with gold and silver threads are covered with imperial dragons chasing pearls (representing the emperors’ search for truth and wisdom), lotus flowers (purity, virtue) and pomegranates (fertility). The catalog recounts famous tales of Chinese court life that reveal the meanings of the motifs.
“The symbolism works on different levels,” Mr. Danon said. “Many carpets were made by monks and show a strong Buddhist influence.”
Others have Chinese markings at the top. “There were more than a thousand pavilions in the Forbidden City,” Mr. Danon explained. “The inscriptions say where the carpets go.”
Woven in burnt orange, lavender, indigo blue and yellow silks, the carpets vibrate with color. All but three are available, from $35,000 to $160,000.
Afghan tribal 'war rug' collection reveals artistic skill, violent imagery
Afghan tribal 'war rug' collection reveals artistic skill, violent imagery
BY MARY BAUER
Pioneer Press
Article Last Updated: 03/23/2007 07:06:30 AM CDT
Tory Ferrey sits among a collection of her Afghan tribal "war rugs" including one depicting the Sept. 11, 2001, attacks on the World Trade Center in New York City in the Mahtomedi home of her friend Deb Lauer. (BEN GARVIN, Pioneer Press)Tory Ferrey's custom bumper sticker might read: Make rugs, not war. But the White Bear Lake resident does not object to art that does both: war rugs.
"At first I didn't want any of them," she said. "I thought they were kind of grisly. But we were able to get them."
Ferrey, a teacher's aide in the Mahtomedi school district, has about 40 Afghan tribal war rugs that depict everything from arrowheads to AK-47s. They make up a small part of her collection of Persian rugs that once numbered 600.
War rugs have become highly collectible in the past decade for a number of reasons.
Some of the appeal lies in the surprise factor, said Mark Traxler, of Mankato, Minn., a tribal rug collector and rug weaver well-known on rug-related Internet sites.
Traxler collects pieces 150 years old or older, but he has watched with interest as war rugs bloomed in the past decade.
"Western images of tanks and helicopters represented in a Middle Eastern form does not fit your idea of a normal Oriental rug," he said. "At the same time, it reflects something about weaving, in general, as representative art."
The weavers, he said, were trying to portray things important in their worlds, or in the case of tanks and machine guns, startling additions to their lives.
Added Ferrey: "They document everything that happens to them" in art.
The sense that the rugs portray an important time in history likely also appeals to some collectors, Traxler said.
Also, the supply of quality antique rugs has shrunk, he said, and what is for sale is exorbitantly priced.
"But you can obtain a meaningful piece of this new form for less money," he said.
Ferrey stumbled onto war rugs three years ago through her son, Nathan, then 9. He spotted a rug on the Internet auction site eBay and asked her to buy it. She thought it was a prayer rug until it arrived, when she could clearly make out images of helicopters, fighter jets and convoys. A city was being bombed.
The modern era of war rugs begins with the decade-long Soviet occupation of Afghanistan in 1979. One rug shows the bombing of a mosque. Another shows Soviet tanks headed away from Afghanistan, with deer stags, a favorite symbol of Afghan rugs, featured prominently.
As a collector, Ferrey is less interested in value than in workmanship and symbolism. She can tell the approximate age of a rug by the change in weaponry and materials. In recent years, the guns have gotten smaller, she said, and the helicopters bigger.
Two Sept. 11 patterns have become much copied, she said. She avoided the one depicting bodies falling from the flaming World Trade Center towers and chose another that included a dove. Shortly after the 9/11 rugs emerged, another design appeared showing Afghans helping U.S. troops search in Tora Bora for Osama bin Laden.
Imagery is more subtle in other rugs. She points to what at first glance seems to be a prayer rug.
"It's a very pretty rug, and then you realize this is a truck convoy around the border," she said.
English words are often misspelled. Most of the female weavers, she said, don't speak English and are likely copying unfamiliar symbols from paper.
War rugs have caught on among collectors in recent years, but Ferrey and Traxler said they are ancient in practice. Ferrey pulled out a rug with prominent horses rimmed with arrowheads, signs of power and conflict.
"It's part of being men," she said. "They're proud of their weapons. These
rugs were never made for women."
The rugs make for good lessons in talks she has given to church groups with her friend Deb Lauer, of Mahtomedi, also an aide in the Mahtomedi school district. Men in the audience perk up at the sight and pick out the different makes of guns and grenades.
Ferrey and Lauer have sold much of Ferrey's larger collection over the past two years to benefit various charities, including Afghan education. They've raised $38,000 so far, and Ferrey is down to about 200 rugs, which she hopes to sell at two remaining charity auctions, one of them Saturday.
Ferrey would like to sell the war rugs, too, but as a group to a museum or collector who appreciates the art and suffering of the people who made them.
"They're proud and very arrogant people," she said. "A lot like Americans."
Tory Ferrey's collection of about 40 Afghan tribal "war rugs" includes designs from the 1979-89 occupation of Afghanistan by the Soviet Union to the Sept. 11, 2001, terrorist attacks on the World Trade Center and 9/11's aftermath.
If You Go Tory Ferrey and Deb Lauer are having two final rug sales for charity. The first will be from 1 to 5 p.m. Saturday at the White Bear Lake Armory, 2228 Fourth St., White Bear Lake. Proceeds benefit the Partnership for Education of Children in Afghanistan. Rugs range in price from $40 to $800, depending on the size and condition. Many of the rugs have been used in Afghan homes.
The second sale will be April 21 at the Urban Arts Academy, 3901 Chicago Ave. S., Minneapolis. Proceeds will be split between the academy and an Afghan relief group.
BY MARY BAUER
Pioneer Press
Article Last Updated: 03/23/2007 07:06:30 AM CDT
Tory Ferrey sits among a collection of her Afghan tribal "war rugs" including one depicting the Sept. 11, 2001, attacks on the World Trade Center in New York City in the Mahtomedi home of her friend Deb Lauer. (BEN GARVIN, Pioneer Press)Tory Ferrey's custom bumper sticker might read: Make rugs, not war. But the White Bear Lake resident does not object to art that does both: war rugs.
"At first I didn't want any of them," she said. "I thought they were kind of grisly. But we were able to get them."
Ferrey, a teacher's aide in the Mahtomedi school district, has about 40 Afghan tribal war rugs that depict everything from arrowheads to AK-47s. They make up a small part of her collection of Persian rugs that once numbered 600.
War rugs have become highly collectible in the past decade for a number of reasons.
Some of the appeal lies in the surprise factor, said Mark Traxler, of Mankato, Minn., a tribal rug collector and rug weaver well-known on rug-related Internet sites.
Traxler collects pieces 150 years old or older, but he has watched with interest as war rugs bloomed in the past decade.
"Western images of tanks and helicopters represented in a Middle Eastern form does not fit your idea of a normal Oriental rug," he said. "At the same time, it reflects something about weaving, in general, as representative art."
The weavers, he said, were trying to portray things important in their worlds, or in the case of tanks and machine guns, startling additions to their lives.
Added Ferrey: "They document everything that happens to them" in art.
The sense that the rugs portray an important time in history likely also appeals to some collectors, Traxler said.
Also, the supply of quality antique rugs has shrunk, he said, and what is for sale is exorbitantly priced.
"But you can obtain a meaningful piece of this new form for less money," he said.
Ferrey stumbled onto war rugs three years ago through her son, Nathan, then 9. He spotted a rug on the Internet auction site eBay and asked her to buy it. She thought it was a prayer rug until it arrived, when she could clearly make out images of helicopters, fighter jets and convoys. A city was being bombed.
The modern era of war rugs begins with the decade-long Soviet occupation of Afghanistan in 1979. One rug shows the bombing of a mosque. Another shows Soviet tanks headed away from Afghanistan, with deer stags, a favorite symbol of Afghan rugs, featured prominently.
As a collector, Ferrey is less interested in value than in workmanship and symbolism. She can tell the approximate age of a rug by the change in weaponry and materials. In recent years, the guns have gotten smaller, she said, and the helicopters bigger.
Two Sept. 11 patterns have become much copied, she said. She avoided the one depicting bodies falling from the flaming World Trade Center towers and chose another that included a dove. Shortly after the 9/11 rugs emerged, another design appeared showing Afghans helping U.S. troops search in Tora Bora for Osama bin Laden.
Imagery is more subtle in other rugs. She points to what at first glance seems to be a prayer rug.
"It's a very pretty rug, and then you realize this is a truck convoy around the border," she said.
English words are often misspelled. Most of the female weavers, she said, don't speak English and are likely copying unfamiliar symbols from paper.
War rugs have caught on among collectors in recent years, but Ferrey and Traxler said they are ancient in practice. Ferrey pulled out a rug with prominent horses rimmed with arrowheads, signs of power and conflict.
"It's part of being men," she said. "They're proud of their weapons. These
rugs were never made for women."
The rugs make for good lessons in talks she has given to church groups with her friend Deb Lauer, of Mahtomedi, also an aide in the Mahtomedi school district. Men in the audience perk up at the sight and pick out the different makes of guns and grenades.
Ferrey and Lauer have sold much of Ferrey's larger collection over the past two years to benefit various charities, including Afghan education. They've raised $38,000 so far, and Ferrey is down to about 200 rugs, which she hopes to sell at two remaining charity auctions, one of them Saturday.
Ferrey would like to sell the war rugs, too, but as a group to a museum or collector who appreciates the art and suffering of the people who made them.
"They're proud and very arrogant people," she said. "A lot like Americans."
Tory Ferrey's collection of about 40 Afghan tribal "war rugs" includes designs from the 1979-89 occupation of Afghanistan by the Soviet Union to the Sept. 11, 2001, terrorist attacks on the World Trade Center and 9/11's aftermath.
If You Go Tory Ferrey and Deb Lauer are having two final rug sales for charity. The first will be from 1 to 5 p.m. Saturday at the White Bear Lake Armory, 2228 Fourth St., White Bear Lake. Proceeds benefit the Partnership for Education of Children in Afghanistan. Rugs range in price from $40 to $800, depending on the size and condition. Many of the rugs have been used in Afghan homes.
The second sale will be April 21 at the Urban Arts Academy, 3901 Chicago Ave. S., Minneapolis. Proceeds will be split between the academy and an Afghan relief group.
Thursday, March 22, 2007
Oriental rugs and stuff
Hello,
I spent some time today reviewing my Guide to Timuri Rugs and freshening it up a bit. I wish I had my library set but I have to do it all from memory. As I go along I learn a little along the way. One of the next articles that needs attention is The Hazara A Historical Examination Of The Probable Origins Of An Improbable People. That was a wonderful article for me. I wrote it very early in my rug studies and I think it stands up pretty well.
It is funny how my Rug Notes work. I suffer from depression. I have avoided getting it treated because I have periodic episodes of brilliance and I worry if I get medicated to end the low periods I will also remove the high points. So I created my Rug Notes as a cure for depression. The worse it gets, the more creative I become. So my best work is the product of stress, exhaustion and depression. I sometimes suspect if I cured the depression I would give up rug studies and watch TV. Right now I am under more stress than any point in my life so I am getting a lot of work done.
As many of you know I dabble in politics. I was just offered a monthly retainer from one of the major democratic Presidential candidates. I did the data bases for John Kerry's battle ground states campaign in the last campaign and one of my associates took one of my ideas and pitched the major Democrat Presidential candidates on it. For now we said no since the money was not right but I may get dragged back into that vile mess that we call Presidential politics. The funny part is that like usual I am broke and could really use the money but for now I will compare offers and hope that my favorite candidate calls. In politics the more you charge the more they respect you, so it is important to make the right deal. In the last Presidential I charged enough that everyone was nice to me. Not too long ago I did a freebie for a candidate. Consequently he felt free to ignore my advise and the SOB never even said thank you. He lost and I will avoid that trap again.
Best wishes,
Barry
I spent some time today reviewing my Guide to Timuri Rugs and freshening it up a bit. I wish I had my library set but I have to do it all from memory. As I go along I learn a little along the way. One of the next articles that needs attention is The Hazara A Historical Examination Of The Probable Origins Of An Improbable People. That was a wonderful article for me. I wrote it very early in my rug studies and I think it stands up pretty well.
It is funny how my Rug Notes work. I suffer from depression. I have avoided getting it treated because I have periodic episodes of brilliance and I worry if I get medicated to end the low periods I will also remove the high points. So I created my Rug Notes as a cure for depression. The worse it gets, the more creative I become. So my best work is the product of stress, exhaustion and depression. I sometimes suspect if I cured the depression I would give up rug studies and watch TV. Right now I am under more stress than any point in my life so I am getting a lot of work done.
As many of you know I dabble in politics. I was just offered a monthly retainer from one of the major democratic Presidential candidates. I did the data bases for John Kerry's battle ground states campaign in the last campaign and one of my associates took one of my ideas and pitched the major Democrat Presidential candidates on it. For now we said no since the money was not right but I may get dragged back into that vile mess that we call Presidential politics. The funny part is that like usual I am broke and could really use the money but for now I will compare offers and hope that my favorite candidate calls. In politics the more you charge the more they respect you, so it is important to make the right deal. In the last Presidential I charged enough that everyone was nice to me. Not too long ago I did a freebie for a candidate. Consequently he felt free to ignore my advise and the SOB never even said thank you. He lost and I will avoid that trap again.
Best wishes,
Barry
Wednesday, March 21, 2007
İstanbul to host international conference on oriental carpets
İstanbul to host international conference on oriental carpets
İstanbul will host the International Conference on Oriental Carpets (ICOC) April 19-22, with the Swissôtel serving as conference headquarters.
Under the supervision of Mehmet Çetinkaya, chair of the local organizing committee, preparations have long been under way for this important cultural event. The conference will have academic sessions, including presentations on Turkish, Egyptian, Persian, Indian and Caucasian carpets. In addition, there will be programs on historical and archeological aspects of carpets, as well as design, costumes and scientific analysis. The presenters will be from 22 different countries and talks will be given in English, Turkish or German with simultaneous translation offered.
Special exhibitions are being prepared for display in historic locations throughout the city, extending from Sultanahmet to Büyükdere. These exhibitions are scheduled to coincide with the conference, with private opening receptions for attendees.
The Museum of Turkish and Islamic Art (TIEM) will host two of the exhibitions. Situated across from the remains of the Hippodrome in Sultanahmet, the museum is housed in the 16th century İbrahim Paşa Palace, once the home to the grand vizier of Suleiman the Magnificent. This is a chance to view a collection of extremely rare carpets, many of which have never been exhibited to the public before. TIEM will also host a show of 99 rare ikat coats from the private collection of Mehmet Çetinkaya. The majority of coats are from the 19th century, with some pieces dating from the 18th century.
In the Has Ahırlar of Topkapı Palace there will be an exhibition of 92 textiles from the palace collection. This particular show has been funded by the Koç Foundation and includes silk prayer textiles from Chios Island, Turkish prayer rugs, and Ottoman panels. After the ICOC conference, this collection will remain open for the general public. Çetinkaya personally selected each piece for the display and said, "I found lost treasures in the Topkapı collection."
The Vakıflar Carpet Museum in Sultanahmet is undergoing major renovations that are scheduled for completion in time for the conference. Currently housed in the sultan's loge of the Blue Mosque, the collection of carpets will be moved to a new home near the Aya Sofya Museum, in the Caferağa Medressesi. This building, designed by master architect Sinan, with its domes and high ceilings, makes it a perfect location for exhibitions. The exterior of the building is currently being restored, but inside will be state-of-the-art display areas for the new carpet museum.
Also in Sultanahmet the Darphane will hold a special exhibition of the private collection of the late Josephine Powell. Only about half of the items that will be on display have been exhibited before. The show will include rare kilims, camel bags, grain sacks and black nomadic tents. Powell's photographs, documenting vanishing Anatolian village life will accompany the textile exhibit.
The 15th century Tophane will host a show of items from several private collections of Anatolian textiles. Among the 176 pieces on display will be Anatolian carpets, kilims and cushions, as well as examples of Ottoman embroidery, çatma (patchwork) and suzanis.
The Sadberk Hanım Museum will host an exhibition that includes a rare collection of very fine çatma.
In addition to all of the exhibitions taking place during the ICOC, there will be a dealers fair held at the Swissôtel. Open every day of the conference, Çetinkaya stressed that participation in the dealers fair was very controlled. "These are not just any pieces from any shop. They are the best and highest quality. They had to be just the right pieces to be included," he explained.
For Çetinkaya, one of the biggest challenges he has faced in the preparations for the conference has been trying to coordinate activities at several venues spread out across the city. "In the West it is easier because they already have the infrastructure to have several exhibition spaces in different locations," he said. The organizing committee has been procuring funding, selecting pieces to be shown, overseeing the cleaning and restoration of items, many which have never been cleaned before, as well as overseeing building restoration. But when the conference begins in April their work will not have been in vain as they have the chance to show the world the best of Anatolian textiles and hospitality. Çetinkaya summed it up appropriately, "I am in the process of creating a huge feast."
For more information on ICOC and the upcoming conference visit www.icoc-istanbul.org
İstanbul will host the International Conference on Oriental Carpets (ICOC) April 19-22, with the Swissôtel serving as conference headquarters.
Under the supervision of Mehmet Çetinkaya, chair of the local organizing committee, preparations have long been under way for this important cultural event. The conference will have academic sessions, including presentations on Turkish, Egyptian, Persian, Indian and Caucasian carpets. In addition, there will be programs on historical and archeological aspects of carpets, as well as design, costumes and scientific analysis. The presenters will be from 22 different countries and talks will be given in English, Turkish or German with simultaneous translation offered.
Special exhibitions are being prepared for display in historic locations throughout the city, extending from Sultanahmet to Büyükdere. These exhibitions are scheduled to coincide with the conference, with private opening receptions for attendees.
The Museum of Turkish and Islamic Art (TIEM) will host two of the exhibitions. Situated across from the remains of the Hippodrome in Sultanahmet, the museum is housed in the 16th century İbrahim Paşa Palace, once the home to the grand vizier of Suleiman the Magnificent. This is a chance to view a collection of extremely rare carpets, many of which have never been exhibited to the public before. TIEM will also host a show of 99 rare ikat coats from the private collection of Mehmet Çetinkaya. The majority of coats are from the 19th century, with some pieces dating from the 18th century.
In the Has Ahırlar of Topkapı Palace there will be an exhibition of 92 textiles from the palace collection. This particular show has been funded by the Koç Foundation and includes silk prayer textiles from Chios Island, Turkish prayer rugs, and Ottoman panels. After the ICOC conference, this collection will remain open for the general public. Çetinkaya personally selected each piece for the display and said, "I found lost treasures in the Topkapı collection."
The Vakıflar Carpet Museum in Sultanahmet is undergoing major renovations that are scheduled for completion in time for the conference. Currently housed in the sultan's loge of the Blue Mosque, the collection of carpets will be moved to a new home near the Aya Sofya Museum, in the Caferağa Medressesi. This building, designed by master architect Sinan, with its domes and high ceilings, makes it a perfect location for exhibitions. The exterior of the building is currently being restored, but inside will be state-of-the-art display areas for the new carpet museum.
Also in Sultanahmet the Darphane will hold a special exhibition of the private collection of the late Josephine Powell. Only about half of the items that will be on display have been exhibited before. The show will include rare kilims, camel bags, grain sacks and black nomadic tents. Powell's photographs, documenting vanishing Anatolian village life will accompany the textile exhibit.
The 15th century Tophane will host a show of items from several private collections of Anatolian textiles. Among the 176 pieces on display will be Anatolian carpets, kilims and cushions, as well as examples of Ottoman embroidery, çatma (patchwork) and suzanis.
The Sadberk Hanım Museum will host an exhibition that includes a rare collection of very fine çatma.
In addition to all of the exhibitions taking place during the ICOC, there will be a dealers fair held at the Swissôtel. Open every day of the conference, Çetinkaya stressed that participation in the dealers fair was very controlled. "These are not just any pieces from any shop. They are the best and highest quality. They had to be just the right pieces to be included," he explained.
For Çetinkaya, one of the biggest challenges he has faced in the preparations for the conference has been trying to coordinate activities at several venues spread out across the city. "In the West it is easier because they already have the infrastructure to have several exhibition spaces in different locations," he said. The organizing committee has been procuring funding, selecting pieces to be shown, overseeing the cleaning and restoration of items, many which have never been cleaned before, as well as overseeing building restoration. But when the conference begins in April their work will not have been in vain as they have the chance to show the world the best of Anatolian textiles and hospitality. Çetinkaya summed it up appropriately, "I am in the process of creating a huge feast."
For more information on ICOC and the upcoming conference visit www.icoc-istanbul.org
Vacuum Cleaner FAQs
Note from Barry:
To get a rug really clean can take up to 4 hours of vacuuming on a 9 by 12 rug. It also has to be done from the back with a beater bar vacuum. Since no one goes to this much effort that is why we need to send our rugs to a qualified professional rug cleaner periodically.
Vacuum Cleaner FAQs
The secret to fabulous-looking carpets? It's simple — have a "no-shoes-in-the-house rule" and vacuum frequently.
Here, Good Housekeeping Institute's home care director, Carolyn Forté, offers advice on how to keep your vacuum and carpets in great shape.
1. What's the difference between a canister and an upright vacuum?
A canister vacuum is generally more versatile. Like uprights, canisters handle carpets, but they're also great at cleaning bare floors, vacuuming stairs and sucking up dirt from corners.
2. Which is better — a vacuum with a bag or a bagless vacuum?
Neither is better. The Good Housekeeping Institute tests show that both clean equally well. Which you buy depends on personal preference. Bagless cleaners save you the trouble of having to buy extra bags, but they can be messy to empty, and the filters and dust containers must be kept clean. While vacuums with bags keep dust and dirt contained, they are tricky to retrieve an earring or small object that gets sucked up accidentally.
3. Do more amps mean better cleaning?
If you're tempted to buy a model with the highest amps, horsepower or watts, you might want to think again. These numbers are simply measurements of the electrical current used by the motor. A vacuum cleaner's performance depends on airflow, the amount of suction it produces, and other factors including the overall design and attachments.
4. What are all the attachments for?
When you're vacuuming pile carpets and rugs, you should use the motorized power nozzle. But when you're cleaning bare floors and walls, it's best to use the wall/floor brush. To get dust out of drawers, heating and air-conditioning vents, and from under larger appliances, try the crevice tool. For mattresses, upholstered fabrics, curtains and car interiors, use the upholstery attachment. And to remove dust from blinds, lampshades and moldings, use the dusting brush.
5. How often should I vacuum?
In an ideal world, an area that has heavy traffic should be vacuumed every day. But once or twice a week is more realistic with today's busy lifestyles and certainly enough for areas that aren't often used. For best results, slowly move the vacuum over the carpet several times, going back and forth and side to side in parallel rows.
6. How many times does a vacuum need to be run over a carpet to get it clean?
Generally, you should use as many as seven strokes for high-traffic areas; three or four for lighter ones. If you're fanatical about dirt, consider buying a vacuum with a dirt sensor, which tells you when an area is clean.
7. How often should my vacuum-cleaner bag be changed?
If your bag is filled to the indicator line, it's time to change it. Even though some vacuums have "check bag" indicator lights, it's best to check the bag yourself and change it when it's no more than three-quarters full. If you have a pet or you vacuum up fireplace ashes, you may have to change the bag more often. To be on the safe side, check the dirt level in the bag before each use.
8. How often should I change the filter on my vacuum?
You don't have to change the filter as often as the bag. If the filter shows signs of wear, or is excessively dirty or torn, it's time to replace it. HEPA filters — ones that remove most dirt particles — should be changed after six months or after the sixth bag change. The owner's manual will tell you where the filter is located and will have recommendations for your particular model.
9. At what height should my nozzle adjustment be set?
The level you set your nozzle at depends on the height of your carpet. For example, you would use the lowest setting for a low-pile carpet and a higher one for plush carpet. You'll only need to push your vacuum with a moderate amount of effort when you've selected the appropriate level.
10. When do I know it's time to replace the belt on my vacuum?
If you think your vacuum isn't cleaning as well as it used to or the brush roll has stopped turning, it may be time to change your belt. First, shut off your vacuum and unplug its cord. It's not difficult to replace the belt as long as you have a screwdriver and a replacement belt. For instructions for your specific vacuum, refer to your owner's manual or call the manufacturer's service center.
11. What should I do if my vacuum cleaner isn't picking up dirt?
First, give it a full inspection. To do so, turn the machine off and unplug it. Then, check to see if the belt is worn or broken, or if the roller-brush won't move. Also, look for a full bag or any blockage that might be affecting the power of the machine. Sometimes, new carpet can be a problem because it sheds more fiber and has a tendency to fill bags quickly and clog the air stream. If everything checks out and your machine still isn't working properly, bring it to a repair shop.
12. How do I vacuum an Oriental rug?
Since Oriental rugs can be very fragile, you may have to use extra care when vacuuming them. Still, to keep them in peak condition, they should be cleaned often. If you're using an upright vacuum cleaner, it's best to turn off the agitator brush (if possible). When approaching the fringe, tip up the front slightly and push it completely off the carpet. This cleans the fringe without catching it in the rotating agitator brush. With a canister vacuum, use the bare floor brush for gentler cleaning of the carpet, and use an upholstery attachment for the fringe. Also, don't forget to periodically turn the rug over so you can vacuum its underside.
13. Is it bad for my carpet or vacuum to use powder fresheners?
Provided you have a good vacuum, powders shouldn't be a problem. For the best pick-up, start with a clean bag. Since these powders can clog the bag, you'll probably have to change the bag afterward.
Related topics: Oriental Rug Cleaning Austin
To get a rug really clean can take up to 4 hours of vacuuming on a 9 by 12 rug. It also has to be done from the back with a beater bar vacuum. Since no one goes to this much effort that is why we need to send our rugs to a qualified professional rug cleaner periodically.
Vacuum Cleaner FAQs
The secret to fabulous-looking carpets? It's simple — have a "no-shoes-in-the-house rule" and vacuum frequently.
Here, Good Housekeeping Institute's home care director, Carolyn Forté, offers advice on how to keep your vacuum and carpets in great shape.
1. What's the difference between a canister and an upright vacuum?
A canister vacuum is generally more versatile. Like uprights, canisters handle carpets, but they're also great at cleaning bare floors, vacuuming stairs and sucking up dirt from corners.
2. Which is better — a vacuum with a bag or a bagless vacuum?
Neither is better. The Good Housekeeping Institute tests show that both clean equally well. Which you buy depends on personal preference. Bagless cleaners save you the trouble of having to buy extra bags, but they can be messy to empty, and the filters and dust containers must be kept clean. While vacuums with bags keep dust and dirt contained, they are tricky to retrieve an earring or small object that gets sucked up accidentally.
3. Do more amps mean better cleaning?
If you're tempted to buy a model with the highest amps, horsepower or watts, you might want to think again. These numbers are simply measurements of the electrical current used by the motor. A vacuum cleaner's performance depends on airflow, the amount of suction it produces, and other factors including the overall design and attachments.
4. What are all the attachments for?
When you're vacuuming pile carpets and rugs, you should use the motorized power nozzle. But when you're cleaning bare floors and walls, it's best to use the wall/floor brush. To get dust out of drawers, heating and air-conditioning vents, and from under larger appliances, try the crevice tool. For mattresses, upholstered fabrics, curtains and car interiors, use the upholstery attachment. And to remove dust from blinds, lampshades and moldings, use the dusting brush.
5. How often should I vacuum?
In an ideal world, an area that has heavy traffic should be vacuumed every day. But once or twice a week is more realistic with today's busy lifestyles and certainly enough for areas that aren't often used. For best results, slowly move the vacuum over the carpet several times, going back and forth and side to side in parallel rows.
6. How many times does a vacuum need to be run over a carpet to get it clean?
Generally, you should use as many as seven strokes for high-traffic areas; three or four for lighter ones. If you're fanatical about dirt, consider buying a vacuum with a dirt sensor, which tells you when an area is clean.
7. How often should my vacuum-cleaner bag be changed?
If your bag is filled to the indicator line, it's time to change it. Even though some vacuums have "check bag" indicator lights, it's best to check the bag yourself and change it when it's no more than three-quarters full. If you have a pet or you vacuum up fireplace ashes, you may have to change the bag more often. To be on the safe side, check the dirt level in the bag before each use.
8. How often should I change the filter on my vacuum?
You don't have to change the filter as often as the bag. If the filter shows signs of wear, or is excessively dirty or torn, it's time to replace it. HEPA filters — ones that remove most dirt particles — should be changed after six months or after the sixth bag change. The owner's manual will tell you where the filter is located and will have recommendations for your particular model.
9. At what height should my nozzle adjustment be set?
The level you set your nozzle at depends on the height of your carpet. For example, you would use the lowest setting for a low-pile carpet and a higher one for plush carpet. You'll only need to push your vacuum with a moderate amount of effort when you've selected the appropriate level.
10. When do I know it's time to replace the belt on my vacuum?
If you think your vacuum isn't cleaning as well as it used to or the brush roll has stopped turning, it may be time to change your belt. First, shut off your vacuum and unplug its cord. It's not difficult to replace the belt as long as you have a screwdriver and a replacement belt. For instructions for your specific vacuum, refer to your owner's manual or call the manufacturer's service center.
11. What should I do if my vacuum cleaner isn't picking up dirt?
First, give it a full inspection. To do so, turn the machine off and unplug it. Then, check to see if the belt is worn or broken, or if the roller-brush won't move. Also, look for a full bag or any blockage that might be affecting the power of the machine. Sometimes, new carpet can be a problem because it sheds more fiber and has a tendency to fill bags quickly and clog the air stream. If everything checks out and your machine still isn't working properly, bring it to a repair shop.
12. How do I vacuum an Oriental rug?
Since Oriental rugs can be very fragile, you may have to use extra care when vacuuming them. Still, to keep them in peak condition, they should be cleaned often. If you're using an upright vacuum cleaner, it's best to turn off the agitator brush (if possible). When approaching the fringe, tip up the front slightly and push it completely off the carpet. This cleans the fringe without catching it in the rotating agitator brush. With a canister vacuum, use the bare floor brush for gentler cleaning of the carpet, and use an upholstery attachment for the fringe. Also, don't forget to periodically turn the rug over so you can vacuum its underside.
13. Is it bad for my carpet or vacuum to use powder fresheners?
Provided you have a good vacuum, powders shouldn't be a problem. For the best pick-up, start with a clean bag. Since these powders can clog the bag, you'll probably have to change the bag afterward.
Related topics: Oriental Rug Cleaning Austin
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