Tschebull Antique Carpets Going Out of Business

Tschebull Antique Carpets to Close
Raul "Mike" Tschebull's Tschebull Antique Carpets Collection, Darien, Connecticut will close and inventory will be sold at auction. More to come...

Turkmen Bags a Salor juval and some Ersari bags

While I was looking at Ersari rugs i spotted Salor Juval 9 Gul C 1800 RB Lot 167. My old buddy Jim Allen wrote Perspective in Classical Turkoman Weaving. It is well worth reading hen you look at this Juval. Jim is a frequent contributor on a rug discussion site and it can be rather humorous at times because Jim is way over their heads when he gets going.

I discussed an Ersari Torba with Mark Keshishian former President of ORRA and he suggested a Yomud influence to Diamond Guls with latchhooks. That made me think and I immediately saw the triparate device in the outer border. This triparate device is most commonly seen in Yomud weaving and I recognize it most commonly from Yomud Ensis. Ersari Torba Yomud Influenced 20th C Sotheby's Lot 695. I also added these to the notes; Ersari bag-face Border Design C 1900 Sotheby's Lot 41, Ersari Juval, W Turkestan, circa 1880 Sotheby's Lot 36, Ersari Juval, W Turkestan, 2nd half 19th Sotheby's Lot 47, and Ersari Juval Serrated Rosettes Afghanistan Circa 1880 Sotheby's Lot 845

Carpets in Western Europe During the Renaissance

Carpets in Western Europe During the Renaissance
Links to photos of extant 15th-17th century carpets, as well as depictions of carpets in 15th and 16th century artwork. I am not sure whose work this is but it is a very useful list of links with brief annotation. At the risk of sounding prideful I love it when I see someone take some of my work and make it part of a greater work. Take for instance a little article of mine that they included, Domenico Ghirlandaio' s Saint Jerome. I had forgotten that I wrote it and then I find it as a link on someone else's page. It is nothing particularly important but I concluded that Domenico Ghirlandaio used the same rug in Domenico Ghirlandaio' s Saint Jerome and Domenico Ghirlandaio Madonna Enthroned mid 15th century and I wrote about it in Domenico Ghirlandaio and his Rugs.

It is nice to have my massive ego assuaged for the day.

My most popular page on SpongoBongo

My main page is always my most popular but Persian Rugs the O'Connell Guides is my second ,most popular. I was interested in the key words that brought readers to that page. The top 10 searches terms that brought people to that page are:"Kerman rugs", "rug appraisal", "spongobongo.com", "hamadan", "kasak rugs", "persian isfahan rug", "chahal shotur", "gabbeh iran persian", "cartouches on persian carpets", and "kashan rug".

RTAMs at the Textile Museum and Howe's blog

Just today I was speaking with Cynthia Kosciuczyk who is the manager of 4th Avenue Rug Gallery in San Diego. Cynthia was telling me what a fan she is of the Textile Museum . I had to ask her if she reads John Howe's blog and she was not aware of it. John is a humble guy who puts in countless hours of selfless work to help a wider audience to get more out of the Textile Museum programs. It is well worth visiting John's site. Take a look at John's 18th and 19th Century Anatolian Carpets: Keshishian and Seidman. It is a useful and artistic article. John added a small note, "Harold has said to me, recently, that the extent and excellence of Michael Seidman’s preparation for this session is not adequately recognized in what we have said above and this comment is an effort to correct that." What is the value of a Seidman and Keshishian presentation? No record, no transcripts, no video, virtually no record at all without John. I have documented a few and John is off to a good start documenting more and that is good. Still for the handful available on-line there are more than 30 years of RTAMS lost and gone for ever. 30 years of guys like Keshishian, Seidman, Wendel Swan, John Wertime, Steve Price, Zimmerman, Charlie Ellis, Ulrich Schurmann, and so many other. Still the Textile Museum is a wonderful place and Bruce Baganz and the rest of the board are great guys doing so much with very little. Maybe a good first step if you really value the Textile Museum is to Join, Renew, or just Write them a Check.

Here are some odds and ends from my site: Long time Trustee John Sommer on Kyrgyz felt at the TM

HK's "Rug Morning" The Introduction

HK's "Rug Morning" The Persian Collection

HK's "Rug Morning" Explosion of Red

HK's "Rug Morning" The Mediterranean Collection

HK's "Rug Morning" Parting Shots

Color and Authenicity in Oriental Rugs

Harold Keshishian always used to tell me that the three most important things about a rug is color, color, and color. No doubt color is king but with ethnographic textiles context is important as well. I am reminded of this by the mafrash to the left and it brought to mind another piece. Wertime has an unusual piece; Rare Shahsavan Band in the John Wertime Collection. It is an intact 22 foot band which in itself a little longer than average for a pack band. The unusual part is the detail combined with pristine condition. The Shahsavan like the Turkmen both use trellised domed tent. Not surprising since the Shahsavan are primarily Northern Azeri which is a branch of the same ethno-linguistic group as the Turkmen of Turkmenistan. Tent bands are typically around 45 feet since the average trellised domed tent or yurt is 45 foot in circumference and 12 foot across. Pack bands are typically 12 to 20 feet so this one is slightly longer than average but not nearly long enough to be a tent band. I was struck by this mafrash from John Wertime as I looked at it again. The color is superb, the structure is less common (weft-float brocade) it dates to the second half 19th century and it is an intact mafrash. All these things make it very special. Karabagh Mafrash Complete Bedding Bag Weft Float Brocade from John Wertime

On the dating of Oriental Rugs:

Circa 1656 Tekke Juval

On the dating of Rugs:

“They can't all have been made in 1875, some must be older.” This bon mot from Harold Keshishian is as true today as the day he said it. For a number of reasons if a rug looks old dealers or auction houses have traditionally dated it to circa 1875. This is mainly because if a rug later is shown to have a chemical dye it is within the range where a chemical dye could have been used. So it is a safe attribution and a huge number of rugs got assigned an attribution of circa 1875. But in that group some are newer and conversely some must be older. We have reached a point where there are a growing number of rugs that considerably predate 1875.

Pioneering work by Jim Allen working with the Metropolitan Museum of Art as well as that of Dr. Jurg Rageth, c14 (radio carbon dating) became a tool in carpet studies. A growing number of rugs have been dated significantly earlier than 1800 and each discovery makes it possible to date other rugs in the time frame that at one point was thought impossible.

Once Jim Allen's 17th century Tekke Juval was dated Circa 1656 it made it possible for others to suggest a rug was of a certain date in relationship to other rugs. It has become what I call a marker rug. Since as far as I know it is the oldest Tekke weaving to date it allows people to use it as a marker in dating their Tekke weaving. More to come...