Over the years I have added information on Antique Oriental Rugs to my notes. Hope you enjoy it, Barry O’Connell JBOC@SpongoBongo.com
Monday, February 14, 2011
Prayer Rugs
K______ S____ Persian carpet specialist
Friday, February 11, 2011
Apigian-Kessel: The Pazyryk Rug
Apigian-Kessel: The Pazyryk Rug
It was just the four of us experiencing another serene and pleasant late November afternoon sharing friendship, refreshments, and cordial conversation. Expansive glass windows offered views of a beautifully landscaped garden that made you feel at total peace with the world.
Our hosts were Sara and Edgar Hagopian in their lovely contemporary home nestled on a private, nature-filled property in Bloomfield Hills, where deer, fox, black squirrels, birds, and other gifts of nature have found a safe sanctuary, romping freely to the delight of owners and visitors alike. It’s their paradise. As on other occasions, a doe safely wanders into the yard adding to our pleasure.
Soon the man who built a dynasty in the Oriental and broadloom rug industry proved his mettle in a manner that a seasoned boy scout would envy. The logs Edgar Hagopian placed in the fireplace took on a roaring blaze filling the room with bright light and warmth.
Sara refilled our teacups as we sat around a beautiful antique Chinese coffee table telling us of their early years, she coming originally from New York and he from Detroit.
Soon she brought out a book titled The Pazyryk Rug Its Use and Origin, which came to fruition from a paper written by Ulrich Schurmann, read during the Symposium of the Armenian Rugs Society on Sept. 26, 1982 in New York. It was a fascinating topic totally unfamiliar to me.
Little did I know the book would become a gift to my husband Bob and I, something we will treasure for the magnificent history it represents and more so for those that gave it to us, Sara and Edgar Hagopian.
It is safe to say that no one exceeds this husband and wife team of over 50 years when it comes to possessing pride and dedication to their Armenian ethnic origin. That is why the Pazyryk book holds so much significance.
Picture an ice grave in the Altai Mountains of Russia, where it is said the multitude of burial mounds evolved over the centuries from Scythians in the Pazyryk valley. Grave robbers opened the gravesite soon after burial, leaving a hole. Water entered and quickly turned to ice thereby preserving the contents in pristine condition.
Among the perfectly preserved items found buried by archaeologist Sergei Rudenko in 1949 was a 2,500-year-old carpet knotted in such fineness of weave and imagination of design that the idea that the best carpets came to us beginning in the 16th century was quickly discarded.
Remember, this timeline is from the fifth century before Christ and is the oldest known rug in existence.
The rug is presently in the Hermitage Museum in St. Petersburg, Russia. It measures 6’ x 6’7 and was knotted with 278 knots per square inch, using hand-carded and hand-spun wool.
The book’s author is emphatic in explaining that the rug “is not nomadic or peasant, but of a highly sophisticated extraordinary piece of art.” Further, “Turkomen tribes would never have the imagination to invent such a carpet design nor to use the small but important nuances.” He says that hundreds of years of development had passed before such a rug of such outstanding design could be produced.
The rug consists of an inner field and a number of borders, with horizontal and vertical rows. The field color is red. (Edgar used the word “madder,” which is a Eurasian herb. The root of the Eurasian madder was used in dying, and produced a moderate to strong red.)
Bucks, griffins, leaves, flowers, and riders are part of the design motif. The Scythians were excellent horsemen, and horses appear prominently on the Pazyryk rug representing power, nobility, and valor.
It is believed the rug was part of the funeral and ceremonial object for Scythian royalty because bucks and griffins were mystical expressions of life passing over to death.
Now comes the interesting part: The author says that after the Kingdom of Urartu dissolved around 590 B.C., the various existing tribes mixed with Scythians, from which emerged the nation of the Armenians.
In 1971, 2,000 bronze plaques were discovered in the area surrounding Lake Van, leading to the conclusion that because of the beauty of these pieces the Pazyryk could only have been made in this same area.
Ulrich Schurmann is convinced that the Pazyryk rug was a funeral accessory and most likely a masterpiece of Armenian workmanship.
Lengthy research, including comparisons of the artistic development of various ethnic groups and cultures of the time, and the author’s conclusion can only add to our immense gratitude to him.
How proud I am to possess this book and with it the knowledge of the creative beauty of the Armenians from as far back as hundreds of years before Christ. Wear this knowledge with pride, knowing that you and I share the blood of these artistic people.
Thank you, Sara and Edgar Hagopian, for your friendship and this very important gift to me, which I share here it with my readers. That is Armenian pride to the fullest extent.
Thursday, February 10, 2011
Iranian Carpet expo opens in Tajikistan

Around 75 Iranian firms from various economic sectors are showcasing their products at the Kakhe Barbad state complex in Dushanbe, where Tajik businessmen and Iranian manufacturers will discuss ways to invest in Tajikistan's economy, the Press TV correspondent in Dushanbe reported.
Hand-woven Persian carpets, health and agricultural products, electrical appliances, textiles, and construction materials are among the products on display at the five-day event, which will wrap up on November 17.
On the sidelines of the opening ceremony, exhibition organizer Mohammad Omrani said that many Iranian provinces, including Tehran, Khorasan Razavi, Fars, Isfahan, and Golestan, have put their products on display at the expo.
In addition, Tajikistan Chamber of Commerce Chairman Saeed Sharif said that Tajikistan is an ideal place for foreign investment.
He added that Iran is one of Tajikistan's major trade partners and the trade volume between Tehran and Dushanbe increased 20 percent last year, reaching $250 million.
An economic expert at the Iranian Embassy in Tajikistan also stated that the trade volume between the two countries has increased by 60 percent in the first six months of 2010 in comparison with the same period in 2009.
Iran and Tajikistan enjoy robust trade relations. The exhibit will help boost trade with Iranian firms while allowing Tajik companies to acquire the expertise they need to develop their own businesses.
Iranian companies are also currently involved in several development projects in the country, including the construction of a dam, a hydroelectric power plant, and a tunnel.
Thursday, February 3, 2011
History of Persian Carpet Helsinki Times
| History of Persian Carpet | | | |
The most ancient handicraft, to which archaeologists have accessed, is a rug that due to its discovery in the frozen tomb of one of Sakai rulers has been named as Pazyryk rug. This rug, which was used as a saddle, is currently preserved in Leningrad Armitage Museum. Experts accredit it to be «Persian» regarding its designs resembling Achaemenian designs and believe that Pazyryk rug is from Madians and Parthians (ancient big Khorasan) handicrafts. Colours applied in this rug are deep red, yellow, pale green and orange. The resemblance of Iranian cavalries and infantries, as well as winged creatures to Persepolis engravings amplifies expert opinions. Experts also believe that weaving a rug with such properties requires a cultural and artistic support of at least several centuries, indicating that for consecutive centuries – before weaving renowned Pazyryk carpet – this occupation was widely spread in Iranian plateau, decoded by Iranians. Sayings of historians approve it. As Xenophon, a Greek historian, in his book Cyrus Conduct has written: “Iranians for their beds to be soft, spread rugs beneath them.” This statement indeed shows that carpet weaving was widespread at that time finding a way through daily life as one of necessities. Although no typical type is left from Sassanid era, as evidences show, Persian carpet had a worldwide reputation at that time. The Chinese Suiy calendar has highlighted the woollen rugs of Iran in Sassanides as goods imported by China. In Farsi literature there is much more talk about the big carpet of “Baharestan” palace belonging to “King Khosrow” showing capabilities of Iranian craftsmen and their pioneering in carpet-weaving artisan.
As artists were dispersed in near and far cities, carpet-weaving artisans with no outstanding manifestation continued to exist, but it was not long that following previous kings, Ommiad and Abbassid Caliphs made this artisan bloom by focusing on it. The “History of Beihaghi” description of repeated offers of beautiful rugs by Ali-ibn-Issa from Khorasan to Aaron-Arrasheed in Baghdad and evidences gathered by Islamic historians and geographers from here and there indicate indisputable reason of Iranian developed carpet-weaving culture. The author of “Hodud-e-Alam” (812 AD) denotes Fars carpet, and a century later, Moghaddasi manifests Qaenat prayer rugs. Yaghut Hemavi (1179 AD, 6th century) informs of Azarbaijan carpet weaving, and Ibn-Batuta, a Maghrebian tourist, narrates that while visiting Izeh, a Bakhtiari region, on his way from Khur Mousa in Persian Gulf to Isfahan, a green carpet was spread in front of him. Farsi literature does not lack these indications either. Khaghani Shervani narrates the reputation of Marandi carpets in the 6th century. The invasion by Mongolian tribes ruined what was the achievement of previous kings. They were fighters who had conquered the world on horseback, whose wives did not accompany them in war. Rugs, born by women’s hands, not only did not find a way to Iran by their attack, but also small workshops of them were destroyed and designers fled to far and remote places. |
Read more: History of Persian Carpet
Wednesday, February 2, 2011
Antique Tabriz_Rugs
Antique Tabriz Rugs: PETAG Tabriz Carpet 1st Quarter 20th C. Sotheby's Lot 280
Antique Tabriz Rugs: Tabriz Carpet Circa 1900 Sotheby's Lot 371
Tabriz Rugs: The Charles Wohlstetter Tabriz Carpet Late 19th C Sotheby's Lot 278
Antique Antique Tabriz Rugs: Tabriz Carpet c 1890 Sotheby's Lot 275 ex Safra Collection
Antique Tabriz Rugs: Tabriz Carpet circa 1920 Rippon Boswell Lot 25
Antique Tabriz Rugs: Tabriz Carpet early 20th Sotheby's Lot 260
Antique Tabriz Rugs: Vojtech Blau Tabriz Wagireh 1900 Sotheby's Lot 19
Antique Tabriz Rugs: Tabriz Carpet early 20th Sotheby's Lot 260
Antique Tabriz Rugs: Tabriz Carpet Circa 1875 Sotheby's Lot 348
Tabriz Rugs: Haj Baba Ganjei Tabriz Carpet 19th C Sotheby's Lot 291 ex Hirschhorn
Antique Tabriz Rugs: Tabriz Carpet Late 19th C Sotheby's Lot 277
Antique Tabriz Rugs: Tabriz Carpet circa 1930/40 Rippon Boswell Lot 159
Antique Tabriz Rugs: Vojtech Blau Tabriz Wagireh 1900 Sotheby's Lot 19
Antique Tabriz Rugs: Vojtech Blau Silk Tabriz Prayer Rug late 19th C Sotheby's Lot 67
Antique Tabriz Rugs: Tabriz Carpet circa 1900 Bonhams Lot 190
Tuesday, February 1, 2011
Antique Tabriz Rugs from Christie's
Antique Tabriz Rugs from Christie's
Antique TABRIZ CARPET NORTHWEST PERSIA, CIRCA 1900
Antique FINE TABRIZ CARPET, NORHT-WEST PERSIA EARLY 20TH CENTURY
A tabriz carpet, northwest persia, second half 20th century
Antique TABRIZ CARPET, NORTH-WEST PERSIA CIRCA 1900
A fine tabriz carpet, north-west persia late 20th century
Antique FINE TABRIZ CARPET, NORTH-WEST PERSIA CIRCA 1920
Antique TABRIZ CARPET, NORTH-WEST PERSIA CIRCA 1920
Antique KHOY TABRIZ CARPET, NORTH-WEST PERSIA CIRCA 1930
Antique TABRIZ CARPET, NORTHWEST PERSIA, FIRST QUARTER 20TH CENTURY
A tabriz rug, northwest persia, second quarter 20th century
Antique UNUSUAL TABRIZ CARPET, NORTH-WEST PERSIA CIRCA 1900
Antique FINE TABRIZ CARPET, NORTH-WEST PERSIA CIRCA 1930





